#THIS IS FASCINATING BTW

[oceans-swim]

my dbd hot take is like. edwin isn't repressed . like yeah he's not the greatest at romance but like?? he has Stated when he's "had enough emotions for one day" like he may not be all that expressive but he lets himself feel emotion, process it, and move on like he fully recognizes his own jealousy and does not lash out when people help him figure shit out and again, Communicates

charles on the other hand

[strawberry-seal77]

I have to confess a sin im a yang kinnie who projects hard onto bumbleby but also my bestie projects onto weiss and now im having a freezerburn moment

Help

bees schnees BAYBEEEEE!!!!

[termagax]

no i used to listen to a lot of audio porn and it takes me awhile to get in the zone and also i have adhd and need to do something with my hands so id play tetris while listening and it just kind of became associated with it. i would say the purple t-shaped one is the hottest tetris block though if i had to choose

i think id choose the straight blue one. boring but shes always there for me

[violinfantasy]

when the academic article is so good it has you giggling and kicking your feet

[tawnysoup]

the fritter (frin critter)

[cosmossystem]

what i feel like is lacking from conversations about plurality is how genuinely, fundamentally cool it is to be plural. doesnt it fascinate you how our brains can create entirely new selves, inner worlds, inner structures to keep itself afloat? doesnt it make you so curious? especially with regards to atypical plural experiences. i dont hate people for having entire systems full of fragments or fictives or subsystems. in fact, i find it wonderful, a miracle of the mind. you have a complicated inner world with unique lore? incredible, how did that develop? your entire system is full of fictives from the same source? thats amazing, hows that going? your system has entire layers on itself, with several systems running in tandem? wow, thats fascinating, how did you know? you believe you came from different worlds? tell me about them. please, tell me more about yourselves. id love to hear it. i do not fear the potential of the human brain.

[the-nefarious-vampire]

"you only say you're autistic because you want to feel special and different" actually finding out i was autistic made me feel significantly less special and different. before i was autistic i was Strange and Unpredictable in some sort of Unknowable way which Surely meant i was Predestined for Greatness (like storybook character). now im just some fuckin autistic guy like any other. i significantly prefer it this way btw

[asweetprologue]

The most interesting thing to me thus far about this whole goncharov thing is that Tumblr has collectively constructed some pretty convincing side characters for this movie. Katya leaps off the page as this frustrated woman caged by her lack of autonomy, Sofia coyly plays both sides and acts above it all when really she's desperate for the same freedom Katya is. Ice Pick Joe is a less developed character who nonetheless acts as a stand in for the inescapable nature of cycles of violence. andrey, loyal to a fault, gets pulled deeper and deeper into goncharov's orbit until there's no way for him to make it out alive

and yet with all that I have ZERO sense of who goncharov is supposed to be himself. i've see a lot of stuff suggesting that the film is theoretically about loss, including the loss of one's identity, shown primarily through the way goncharov becomes unrecognizable to himself by the time of his death at the end of the film (seeing himself in a fractured mirror is a common motif). it's very interesting to me that we have a fine time coming up with a group of collective blorbos based on mafia movie tropes, but somehow the main character feels unknowable, to the degree that we had to make that one of the core themes of the film.

[mjulmjul]

Katya / Goncharov

[fluffyartbl0g]

ANONYMOUS SUBMITTED

I love, love, LOVE your speedrun comic, expecially the parts with Ace losing his mind and ASL reuniting. I am VERY curious as to how, exactly, this gremlin crew of half-feral children managed to negotiate an alliance with Whitebeard. My bet is Luffy just went “rearranges reality until it’s more to his liking and everybody is left wobbling dazedly”. Also, the Whitebeard Pirates thinking “this explains SO MUCH about Ace”.

—————

hahah you got the “everybody is left wobbling dazedly” part right XD. here’s my answer to ur curious musings!!!

An alliance implies equal footing, and to have equal footing with the greatest pirate alive is not something to scoff at. So good job Whitebeard for scoring an ETERNAL friendship with the pirate king 👍!!!!

Time travel/Speedrun AU masterlist

[blaithnne]

This is so funny to me because I can PICTURE host!Vic furiously storming into the studio after having watched season 1, complaining that they look completely ridiculous on camera (bright pink? What are they, an anarchist?) and demanding a new wardrobe. They’re given one (1) new shirt in a different colour and go “perfect, now give me a broach that looks like a sea urchin to show what a cool fun guy I am as well”

[metanarrates]

there are a LOT of things you can speculate about regarding what twsa was actually like as a novel but what's most interesting to me is that you can make the argument that twsa was an "unpolished" version of what orv is. it's a version of a similar novel that likely dealt with a lot of similar themes but was seemingly bogged down by poor structure, pacing, expository handling, and focus. (all of which are things that orv is shockingly excellent at.)

and of course, han sooyoung's novel, sssss-grade infinite regressor, is the "polished" version of the idea. it's well-written, probably well-plotted, and was successful enough to make han sooyoung rich and famous. we don't know what sssss-grade infinite regressor is like as a novel either, but we sort of get the impression that it's not very emotionally rich even if it is good on a technical level. han sooyoung herself doesn't seem intensely attached to it despite being proud of her work, and kim dokja of course doesn't hold it in high regard. (though of course he's a gigantic unreliable narrator and also a hater.)

what's interesting is that despite orv very strongly emphasizing the ways these works are flawed from the outset, orv itself functions as an argument in these works' favor. both twsa and infinite regressor are stand-ins for the "mass-produced" genre of webnovels. they are popular fiction, relying on a very familiar pool of tropes and clichés in order to deliver on a relatively predictable story to appeal to a wide audience. it's not a coincidence that they are so similar - both literally and in a meta sense, they are drawing on the same exact story-building and genre material. twsa is just the unsuccessful version, and infinite regressor is the successful one.

orv is what I would consider the most "impressive" version of the genre. it's well-structured, thrillingly plotted, interestingly written, has fascinating ideas and characters, and is even "literary" - that is, it has deeply considered themes and is often drawing from the realm of literary, postmodern fiction in order to express its ideas. a less sincere story would disavow itself from its pop-fiction origins and claim to be the best version of its genre. nothing else could be like it, so the worst versions of its genre wouldn't be worth considering.

but orv, while technically functioning as an argument that the genre can be "good" simply because it's a great novel that is deeply rooted in its genre, goes much further. it argues in-text that any sort of story, even those that are bad on a technical level or those that were somewhat cynically produced for a mass audience, are worth finding value in, simply because stories have meaning to their readers. the most uncritical reproduction of a genre's conventions can still mean something to someone who likes it. twsa, if it existed in our reality, would still probably be considered a very bad novel, but it wouldn't need to be polished up and turned into infinite regressor or orv in order to have value. orv itself is telling you that you should find value in twsa as it is, and by extension, every badly-done work of fiction that twsa could be a stand-in for!

[balleater]

i've already made posts about this so many times but every time the raven queen's ascension gets brought up and its talked about like she did it for immortality or purely for power it makes me go a little insane because the story of her being a follower of the god of death before her and taking his place specifically because he didn't respect death is one of the best things about her lore in my opinion. that one of the biggest differences between her and those who failed attempts at ascension is that she did because of faith and not to spite it.

[maomango-doodle]

Reclaiming identity, rewriting duty

a comic for Chrome's birthday

[glow-worms-are-believers]

Lost in the Woods (dp x dc)

"Why are we here again?" Tucker asked as he rearranged his backpack straps.

"Because you lost a bet and Gotham Woods are my best chance of seeing a real satanic ritual," Sam answered.

“Hey, no,” Danny protested. “We said no spooky business. This is strictly for fun.”

“Fun,” Tucker repeated, dryly. “This is how most horror movies start, you know. Camping in the woods at night.”

“I highly doubt there’s any serial killer out there,” the halfa soothed. “I checked the news. There are no escape convicts right now.”

“The Riddler’s out,” Sam refuted.

“Can you imagine that pasty twig-man willingly trudging through the woods though?” Danny asked.

“I probably go out more often than him,” Tucker conceded.

“Which means we’re all good,” Danny concluded.

The trio walked a bit further before reaching the spot they had brought the rest of their bags and dropped their heavy backpacks beside it. Tucker fell down beside them before raising a hand to chase away a mosquito that was buzzing around.

“I hate this already,” he whined as he tried to smack the bug.

“Get up,” Sam said as she nudged him with her foot. “We gotta get the tent up.”

With a groan, he stood up and they got to work on the tent. It didn’t take very long, thanks to Danny’s experience in pitching Fenton Work tents, which had come from the numerous times his family had gone camping.

“What now?” The halfa asked.

“Why don’t we walk around a little?” Sam suggested.

“Can’t we take a minute to breathe?” Tucker complained.

“It’ll be fun,” Danny encouraged his friend as he offered a hand getting to his feet again.

"I'm beginning to think you don't know what that means."

They grabbed some water and snacks before setting towards one of the closest hiking trails. It was supposed to be an easy quick walk, but as time went on the path became more and more wild and overgrown, they started doubting the way. By the time they had stopped, the path was now nonexistent.

“We’re lost,” Tucker said. “The sun is setting and we’re lost in the creepy satanic woods.”

“First of all,” Sam started. “I have a compass, and second, we have Danny. We’ll be fine.”

“Oh I see how it is,” the halfa dramatically said. “You guys are just using me for my powers.”

Before the goth could make a proper answer to that, Tucker shushed them both before dragging them towards some thick bushes. A few moments later they could see two men in long robes carrying a third, unconscious man in a black and blue outfit.

“Those goddamned bats,” one of the ones wearing cultist robes said as he struggled to carry the unconscious man’s legs.

“Shut up and move faster,” the other cultist said. “The Grandmaster said to get him to the Barn before sundown.”

“I’m trying my best here,” the first one said. “Those robes don’t exactly make it easy.”

“They’re ceremonial!”

“Right now they’re a ceremonial pain in my butt,” the first cultist retorted which made the other sputter.

As they moved passed the three teens’ hiding spot, their voices faded in the distance. The ensuing silence was broken by Sam's “Dibs on any skulls when we raid the evil lair”.

“Why can we never have normal vacations?” Danny mumbled as he let his face fall in his hands.

[astrowarr]

i want to point something out, actually.

it wasn't grian's fault etho looked at the enderman- of course it wasn't. but this is one of the few times that, after his actions indirectly killed one of his allies, said ally defended him after.

etho insisted that no, actually, that wasn't grian's fault; it was him being silly, getting himself killed. he wouldn't even tolerate anyone suggesting otherwise. compare this to say, limited life: grian innocently pushes a button, killing his friend. jimmy is furious, immediately starts gnashing his teeth at grian because it doesn't matter if the trap wasn't his, this was his fault.

it's so interesting to me how grian, etho, and cleo prove over and over again just how strong they are together. they see the best in one another and they make each other better because of it. they give each other room for mistakes, room to breathe. this- at least for grian- is a long lost luxury

grian killed his friend, but he didn't lose him the way he always seems to